Going back to the tag cloud feature, touching the knobs takes you to this part of the hardware to see all options and functions from a pop-up list, such as routing and sound groups. Usage is relatively straightforward: Through the touch-sensitive knobs, you’ll view the key parameters from a dropdown menu, and you’ll have the option of Komplete Kontrol S-Series integration. On a very general level, the program is what you use for browsing, arranging, and sampling, and now comes with a new mixer, a plug-in strip, dedicated drum synths, and Smart Play™ features. As well, the displays allow the user to clearly see what’s going on, either browsing or cutting up and altering audio samples.Īs indicated above, Maschine 2 software, with the Maschine 2.2 update, comes with this device. You move through it with the jog wheel, while looking at the two high-resolution screens, to find projects, groups, instrumental effects, and samples. Maschine Studio functions with a tag-based browser, considered optimal for creativity. Rounding out the physical features are a dedicated level section, for quick and simple metering and monitoring, and a stand built-in at the ideal angle. As a plus, unlike other controllers, Native Instrument designed the Maschine Studio to have as few multi-function buttons as possible. Here, you’ll find all edit buttons and an extremely exact jog wheel – the tools essential to browsing, editing, and arranging at a quick pace. All you have to do is plug and play, no matter if you plan to use Maschine as a standalone device or within your DAW.Īlong these lines, the multi-color pads have a solid, sensitive feel, one that can be adjusted in the preferences to your needs. Advanced multi-core technology lets you simultaneously run multiple processes. Native Instruments designed this hybrid device with a top-notch audio engine, one that saves resources while consistently providing high-quality sounds. You’ll be able to see functions for browsing sounds and plug-ins, activating effects, and features for sampling, arranging, mixing, and performing. Native Instruments built it with high-resolution color displays, which let the user focus on the hardware rather than the computer screen. For usage, it offers twin displays and eight knobs and buttons, with the latter, made out of rubber, clearly lighting up. The physical plastic design itself is fairly sturdy, if not slightly on the large side. Both aspects integrate well, although the software can be used alone or as an AU/VST/RTAS plug-in, and the hardware as a software controller or general MIDI controller. Work flow is extremely smooth, while hardware gives a sensitive response. Now considered Native Instruments’ top-tier groove production studio, Maschine, with the Maschine 2.0 software, provides unprecedented control and visual feedback. Its functionality bypasses Akia’s MPC, while serving as a high-quality studio hub (but not a full DAW) with built-in sequencing, sampling, and loop slicing. Out for nearly five years now, Native Instruments’ Maschine has set a new industry standard as a hardware-software beat-production workstation.
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